SOLO PERFORMANCES:
Smithsonian Institution
Bard College
American Church in Paris
Harvard University
Massachusetts Institute of Technology
Gilmore Festival
Museum of Fine Arts, Boston
Festival de Musica Antigua, Mexico City
San Diego Harpsichord Society
International Baroque Institute at Longy
French Library of Boston
Peterskirche, Delmenhorst, Germany
Westfield Center Symposium, Smith College
Southeastern Historical Keyboard Society

ENSEMBLE PERFORMANCES:

Spiritus Collective (Madison and Colorado Music Festivals) 2004
Dedham and Newton Choral Societies 2000-2005.
Boston Early Music Festival, 1985: A Schütz Celebration; 1993 and 2003: Concerto Palatino.
Boston Camerata, King Arthur, War and Peace, Jewish Baroque, Orfeo, Nueva España (Tanglewood, Gilmore, Octobre en Normandie and Morelia Festivals), A Baroque Christmas, What Then is Love?, Lamentations for Holy Week, 1983-2005.
Harvard-Radcliffe Collegium Musicum, St. Matthew Passion, Schütz; Monteverdi, '84-'05.
Handel and Haydn Society Orchestra, 2000-01
Boston Cecilia, 2000
Cantata Singers of Boston: Jephtha, Haydn Lord Nelson Mass, St. Matthew Passion, 1985-2001
New England Bach Festival, 1987-2000.
Music at Eden's Edge Chamber Concerts and Youth Chamber Concerts 1998-2005.
American Choral Directors' Association Convention, Washington, D.C. 1995
Aston Magna: The English Restoration, The Triumph of Time and Truth, Bach program, 1991-99.
Emmanuel Music: Bach Cantatas, 1989-94.
Aix-en-Provence Festival with Boston Camerata and Anne Azéma, 1989.
Wellesley College: Symposium on Louis XIV, with Baroque Dance Academy, 1988.
Museum of Fine Arts, Laura Jeppesen and Friends, 1986-91.
Boston Baroque: Messiah, Water Music, Mozart Vespers, complete series of Bach harpsichord concerti, 1983-93.
Pepsico Summerfare: Julius Caesar (Craig Smith & Peter Sellars production), 1985.
Concerto Castello: extensive touring of United States and Switzerland, Germany, Austria, Holland, Spain, Belgium, Italy and England, 1979-83.
Les Fêtes Galantes: Tours of Eastern U.S., 1978-81.(Baroque repertoire with dancers).
Castle Hill Festival, Ipswich, 1979-81, 2003-05.
Court Dance Company of New York, 1980-82.
Florilegium Musicum/Tölzer Knabenchor, Austria and Germany, 1978.

RECORDINGS:

Affetti Musicali with Concerto Castello on Deutsche Harmonia Mundi
The Merrie Company on Titanic
War and Peace, Messe des Morts, Nueva Espana, Lamentations and Angels with Boston Camerata on Erato.
A Baroque Christmas on Nonesuch with Boston Camerata.
Music in the Court of Leopold I with Concerto Castello on Reflexe (EMI)
English Music for Viols and Organ with Les Filles de Ste. Colombe on Titanic
Virtuoso Recorder Music with John Tyson on Titanic
Suites for Dancing with Boston Baroque Soloists on Koch International
O Ye Tender Babes (English Virginal Music) on Wild Boar (solo recording).
Mass in Time of War with Boston Baroque on Titanic.

RADIO AND TELEVISION:

West Deutsche Rundfunk, Cologne
Hessische Rundfunk, Frankfurt-am-Main
Bayerische Rundfunk, Munich
Radio Naçional de España and Spanish Television, Barcelona
Radio France, Paris
B.B.C., London
US Public Radio (American, National and Minnesota)

TEACHING:

Faculty, Longy School of Music (1982-)
Faculty, Leadership Program for Musicians, Episcopal Diocese of Massachusetts (1994-)
Faculty, New England Conservatory of Music (1981-91)
Master Classes at Washington University, St. Louis, Oberlin College, Eastman School of Music
Faculty, Schola Cantorum Basiliensis, 1978-79
Music Faculty, The Winsor School, 1974-76
Country Dance and Song Society Early Music Week 1984-2005.


EMPLOYERS:

Longy School of Music, Acting Dean, 1999-2000; Chair, Early Music Department 2001-
Unitarian Universalist Church of Greater Lynn, Swampscott, MA 2002-
Trinity Episcopal Church of Topsfield and Boxford, 1994-2002
Emmanuel Church, Boston (Organist and Assistant Music Director) 1991-94
St. Paul's Episcopal Church, Newburyport, MA (Music Director) 1990-91
St. John's Episcopal Church, Gloucester, MA. (Music Director) 1979-89.
Christ Church Episcopal, Red Hook, New York, (Music Director) 1971-73.


EDUCATION:

Sweelinck Conservatorium, Amsterdam, 1976-77:
Harpsichord and Continuo with Gustav Leonhardt and Veronica Hampe
New England Conservatory of Music, Boston, 1973-76:
Master of Music (Early Music); John Gibbons and Yuko Hayashi
Bard College, Annandale-on-Hudson, New York, 1969-73; BA in music; Igor Kipnis
Kodaly Musical Training Institute, Wellesley, MA, 1976, solfège and pedagogy
Institut de Ribaupierre, Lausanne, Switzerland, 1968-69, piano, voice and theory
Baroque Performance Institute, Oberlin College (1972-75):
Studies with Lisa Crawford, Albert Fuller, James Weaver and Harald Vogel
Wellesley College Fortepiano Workshop, 1976; studies with Malcolm Bilson
Aston Magna Foundation for Music, Summer Workshop, 1975 ; Albert Fuller
Cours d'Interpretation du Prieuré de la Madeleine de Traisnel, Paris, 1977-78; Kenneth Gilbert
Schola Cantorum Basiliensis, 1978-79, fortepiano studies with Klaus Linder
Master classes with Ton Koopman and Harald Vogel


SCHOLARLY AND PROFESSIONAL WORK:

Member of Professional Leadership Development Group of the Unitarian Universalist Musicians Network.
Articles published in Garland Publishing's Encyclopedia of Keyboard Instruments and the Newsletter of the Westfield Center for Early Keyboard Studies.
Member of Executive Committee of American Guild of Organists, Boston Chapter '92-96 ; Co- chair of Professional Concerns Committee, Program Chair of Festival Organ Boston, 1997.
Member of Episcopal Diocesan Music and Liturgy Committee (Massachusetts) '92- 95.
Papers read at 4th Annual Dance History Scholars Conference: ("Marin Mersenne and His Descriptions of 17th-Century French Dance", February, 1982) and Midwestern and Southeastern Historical Keyboard Societies Conclave at Oberlin College (Historical Keyboard Fingering, 1988).